Part 2 of this series on Marvel silver age annuals continues with the Amazing Spider-Man. I thought I had better get to this group of books in a hurry before Walt shines the Undervalued Spotlight on all of these books.…
Read MoreMarvel 1960s Annuals: Part Two, Spider-ManIt’s been just about a month now since the Jack Kirby Estate and Marvel settled out of court in what has been an ongoing battle not only between the heirs of Jack Kirby and Marvel , but the ongoing argument…
Read MoreNot With A Bang, But A Whimper…One of my personal favourite genres of comic books that I like to collect is the big square bound super-hero annuals. Twice the size and price of a regular comic, these books only came out once a year and were packed with pin-ups, some classic reprints, and usually a crackling good original story. The original stories quite often took place outside the current storylines taking place in the title, but had a place in the character or groups long term continuity. There were surprisingly few made – I count 18 in the sixties and some characters and groups had none at all. I did not include war, romance, westerns, or re-print annuals in this first series but may get to them at a later date.
Read MoreMarvel 1960s Annuals: Part One, Fantastic FourOne of my go to comic characters from the 60’s was Daredevil. He was easier than most comic characters for me to relate to. No real super powers, Matt Murdock had acquired enhanced sensory powers when he lost his sight in an accident while trying to save someone when he was just a kid. He didn’t let his loss of sight slow him down and the youngster grew up to be a successful lawyer and the longstanding crime fighting hero Daredevil. My initial comic reading of this character took place in the issue’s #20 thru #53 time period. Our arc and run feature today take’s place right in the middle of this run and we also take a quick jump over to the Fantastic 4 to complete our story. Let’s take a look at this run, broken into four story arcs.
Read MoreHere comes…Daredevil!When DC comics re-energized the super hero genre in the late 50’s and 60’s they had two titles that they used to introduce and re-introduce characters, namely Showcase and Brave & the Bold. The new Flash, Green Lantern, Hawkman, Teen…
Read MoreMarvel Super-Heroes 12-20: Hits & MissesBack in the late 60's there really wasn't anyway to connect with you favorite comic book creators. The only glimpses you got were Stan Lee's Soapbox and you would perhaps glean something from the letters pages.
I can't remember which book it was, I am sure one of you will tell me, these pics appeared. Suddenly there were actual faces behind the people who created these stories that transported me to other realms. Grainy faces...but they were faces.
Read MoreReturn to ZeroThis eleven issue run has two strong story arcs, and features Rogues gallery of Marvel artists. Early Daredevil and late Original X-Men runs also feature a stellar group of artists in them, however I think they fall just a little short of this one. Jack Kirby, Jim Steranko, John Romita, John Buscema, Sal Buscema, and Gene Colan all get a crack at Captain America here. All of the stories are written by Stan Lee. This edition of Arcs and Runs will be as much about the artists as the stories themselves, and will be in two parts.
Read MoreCap’s Artist Alley Part One: Captain America 109-113This week I am turning the Undervalued Spotlight reigns over to guest writer Nelson da Rocha. Nelson is arguing that Amazing Spider-Man #96 deserves better than it is currently getting and I agree. Nelson gets to the heart of something I’ve briefly…
Read MoreUndervalued Spotlight #197That was the "Marvel Method". Where DC worked from full scripts and with a very rigid house style, Marvel was having their artists basically run wild with nothing more than a vague plot. The artist's job was to pace the story and often Stan Lee, and later on Roy Thomas, would be introduced to strange and wonderful ideas they never thought of but were responsible for dialoguing. Most of the time it worked marvellously( no pun intended!).
Read MoreMarvel Method or Full Script?Love Diary #36, Charlton Comics, January 1965 This is a bit of a coup for the Undervalued Spotlight. I believe I’ve found a yet undiscovered prototype. I’m not sure you could even call it a prototype, to me it looks…
Read MoreUndervalued Spotlight #196All that talk last week in Undervalued Spotlight about Amazing Spider-Man #37 and the importance of how it fits into the history of Spider-Man got me thinking and asking the question. Why isn't the Spectacular Spider-Man #2 magazine more in demand.
Read MoreSpectacular Spider-Man Magazine #2Amazing Spider-Man #37, Marvel Comics, June 1966. Recently I've been receiving some strong Spotlight suggestions from Juan from Rochester N.Y. These are good solid picks he’s sending in, I’m lucky he doesn't want to start up a website.
Read MoreUndervalued Spotlight #193I guess my dislike for Signature Series books would go all the way back ,to when 10 year old me stupidly signed my name to the top right hand corner of Silver Surfer # 1,2,3, and yes, number 4, only to realize as I became more knowledgeable in the collecting world, that this was a great way to make my books very unattractive to sell or trade. As well as devalue them.
Read MoreLove ’em or Hate ’em? CGC Signature SeriesThis instalment of Arcs & Runs will look at the most important run of comics in the silver age IMO. DC Showcase (revival of super-heroes - new Flash and Green Lantern) and The Amazing Spider-Man, both receive and deserve a lot of consideration as the most important run of the silver age. Spider-Man is easily the most popular character to emerge from the 60’s; however he may not have even happened if it weren’t for a comic called the Fantastic Four.
Read MoreArcs & Runs #2 | Fantastic Four 44-51In 1971, Marvel decided to venture into a more adult oriented market. They saw the success that Warren Magazines were having with Eerie, Creepy, Vampirella.This was a market that allowed some of the greatest sequential storytellers to let loose without the restrictions placed on the industry by the comics code.
Marvels' first foray into this market was a title called Savage Tales.
Read MoreSomething Savage This Way ComesI was sitting in The Comicdenn looking at the Fantastic Four story arc from issue #84 to 87.The issues featured a great Dr. Doom story by Stan Lee and Jack Kirby, with great Joe Sinnott inks. What a great story to relaunch the Fantastic Four on the Big screen!
Read MoreFrom The Page To The ScreenSpectacular Spider-Man #1, for those not familiar with it, was Marvel's first entry into not only a Spider-Man spin off, but in a B&W magazine format aimed at a more mature market.
Read MoreSpectacular Spider-Man #1 Magazine 1968So being firmly bitten by the comic book bug at age 10, and thoroughly exhausting my friends and family getting any back issues, I began to take note of the little adds that offered back issues. For some reason the add by Robert Bell and Michael J. Rogofsky stood out to me more than most. I sent my request, plus 25 cents (Cdn) to far off New York.
Read MoreJohn Buscema and The Silver SurferIn Tales from The Comicdenn I am going to share some of the interesting adventures I have had in this great hobby and hopefully a few nuggets of wisdom as it pertains to collecting, along the way.
Read MoreWelcome to Tales from The ComicdennAs a journalist, I do everything I can to promote comic writing and art to the public, particularly for youngsters. Heck, if it weren’t for comics, I seriously doubt I would have ever learned to read. Comics today can be a spark younger people may need to lead them to a lifetime of wonder and imagination in both words and art.
Read MoreComic Writing Is Better Than Ever