The Kindness of Strangers

I have found, throughout my years of being a comic book lover, there is something very strange about the way comic book fans treat each other. When one comic book fan meets another, there is a back and forth quiz that happens. “What do you read?” “What is your favourite comic?” “Who is your favourite writer/artist/character?” Instead of just being excited to meet another comic lover, we have to make sure they are worthy, but mostly, we make sure we know more than they do.
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Maple Leaf Checklist

Of all the WECA books, those produced by Maple Leaf Publishing out on the west coast of Canada are in the most demand and are the hardest to find. In this post I want to initiate the question of the number and dates of all the Maple Leaf issues… especially that murky last year—1946.
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Between Nuance and Bombast

I was having a conversation with some friends the other day and we were discussing, of all things, Golden Age Romance comics. The ones that were created by Joe Simon and Jack Kirby, Leonard Starr and Matt Baker. Titles like Young Love and My Date and Young Romance. These were huge in their day and were showcases for some of the best sequential storytelling to grace the pages of four colour comics!
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ComicLink January 2014 Focused Auction Original Art

ComicLink's January 2014 Focused Auction ended last week, with Session 4 offering original art. This was a low key offering, as ComicLink states "The Original Art offering of this auction focuses on more accessible material (check out the growing February preview for higher-end art) and includes visually exciting works by esteemed artists", basically saying the cheap stuff is this month and big ticket items will be next time around.
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Marvel Trading Cards

The early 1990s were all about lenticular covers, bagged promos, and rampant speculation. But they were also about trading cards. Upper Deck reigned supreme and we finally said goodbye to buying cards with super hard chewing gum. Traditionally we had purchased sports cards, but Marvel Comics had given us another option by issuing a series of collectible cards featuring their spandex clad characters.
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WECA Toons 2

My last post was on the “toony” side of Vancouver’s Maple Leaf Publications and in it I stated that there were no real toons in Montreal’s Educational Projects Publishers. I now want to qualify that since I’ve been able to find three fillers that might qualify.
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Something Savage This Way Comes

In 1971, Marvel decided to venture into a more adult oriented market. They saw the success that Warren Magazines were having with Eerie, Creepy, Vampirella.This was a market that allowed some of the greatest sequential storytellers to let loose without the restrictions placed on the industry by the comics code. Marvels' first foray into this market was a title called Savage Tales.
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Arcs & Runs

We will start with an arc from my second favourite title: Tales of Suspense. I thought it was only fair that this title get the chance to be number one, as it has always been runner-up to my all-time favourite; Amazing Spider-Man. Our featured arc covers the last story ever told in the title. It doesn’t end in Tales of Suspense, but spills over and concludes in a ‘bridge book” IM/SM # 1, and the two new titles CA#100 and IM#1. All of the books feature Jack Kirby (CA) and Gene Colan (IM) artwork.
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WECA Toons 1

Comic book art runs the rainbow spectrum from realistic, to semi-realistic, to surrealistic, each time the metaphor getting stronger. In the surrealistic “toons” the world is populated by caricature humanoids and/or anthropomorphic fauna (‘funny animals”). Each of the four WECA publishers, except Educational Projects, had features that fell somewhere on the surrealistic end of this continuum.
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The Art Of Collecting Original Art

One of the most exciting things for me in my collecting adventures has been the discovery of the original art market. Now we all collect comics for different reasons. For some it is the stories, for others it is the art, and then others collect runs or story arcs because of the creative team. Byrne/Claremont on X-men, Adams/O'Neil on Batman etc. For me it was always the art first then the story. When I was rebuilding my collection I discovered original art for sale. One of the reasons we collect comics is the rarity of the issue. With original art, it is the ONE and ONLY kind of rare.
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