
Review | Gasoline Alley: The Complete Sundays Vol 1
A new ongoing collection of Frank King's Gasoline Alley colour Sundays, collecting the first two years of Walt and Skeezix in an excellent introductory volume.
Discussing the minutiae of comic book collecting.
Discussing the minutiae of comic book collecting.
A new ongoing collection of Frank King's Gasoline Alley colour Sundays, collecting the first two years of Walt and Skeezix in an excellent introductory volume.
It’s that time of year again when Canadian golden age creators are considered for inclusion in the Joe Shuster Awards Canadian Comic Book Hall of Fame. Certainly an august constellation of creators but who are the two additions that should be inducted this year?
Journey into Mystery #85, Marvel Comics, October 1962. Last Saturday evening my kid decides we should all watch Thor 2; I wanted to watch the Habs/Senators game. So Thor 2 starts and I kind of like it, I actually thought it was better than the first one. Near the end of the movie my kid mumbles something like “I really like Loki, he’s smart and crafty”. Woah!
SelfMadeHero's third H.P. Lovecraft adaptation by I.N.J. Culbard, The Shadow Out Of Time is another smashing success.
The Wing was the creation of John G. Hilkert and first appeared in Joke Comics No. 4 (Sept./Oct. 1942) as the Wing, but if we look closely we can find an appearance of a character (not costumed or super powerful) named Trixie Rogers in a text story written by Hilkert and art by Murray Karn in Dime Comics 5 called “Death Casts a Vote” a couple of months before she put on the costume in Joke Comics.
Amazing Spider-Man #37, Marvel Comics, June 1966. Recently I've been receiving some strong Spotlight suggestions from Juan from Rochester N.Y. These are good solid picks he’s sending in, I’m lucky he doesn't want to start up a website.
Overall the documentary was a slick and informative effort. It reminded me a little of the recent PBS Superheroes three-parter because it made heavy use of talking heads in front of green screen projections. This allowed the film itself to take on a sense of comic book levity and healthy self-deprecation. A comic book doc has to be heavy on graphics from the books themselves and this one didn’t let us down in that respect.
Dazzler #1, Marvel Comics, March 1981. I’m pricing up books for the upcoming Toronto Comic Con and ran into a nice batch of X-Men. There was a sweet copy of issue #130 in there and I had to pick it up and thumb through it. I remember this book coming out and me being a bad boy rock and roller at the time I remember I hated the character.
The comic book portion of ComicLink’s February Featured Auction Ended Wednesday February the 26th and what a mammoth auction it was!
For the 1st time ever really a strong group of quality “Canadian Whites” were on auction and the results can only be described as historic. I’ll direct you to Ivan Kocmarek’s post covering that portion of the auction.
As I said above, this was a very strong auction.
The latest ComicLink online auction finished last night and on offer were three dozen slabbed Canadian comics with all but two of them WECA books. The biggest irony of the final tally for me was that the highest prices were commanded by essentially reprint material.
This week Heritage wrapped up its 2014 February 20 - 22 Vintage Comics & Comic Art Signature Auction, covering a large array of classic covers and stunning artwork. A nice mix of silver age covers, modern classics and a range of strip art. The big winner was the cover to Action Comics issue 15 for $286,800.00, but these five pieces caught my eye.
The weakening Canadian Dollar got me to thinking about the effect it is having, if any, on the back issue comic book market. Comic books are like oil in that they are traded in U.S. dollars. The price guide is quoted in U.S. dollars, almost all the big internet dealers are U.S. based and all the major comic auction sites are U.S. and prices are quoted in U.S. Dollars. Basically holding a comic collection is like holding U.S. dollars.
In doing my ongoing research into Canadian war time comics, I recently came across this Toronto Star article about a Whites artist named Michael (Bud) Riled who seems to have created a female jungle heroine called "Terena of the Jungle." It even has a quote from Peter Berkemoe, owner of The Beguiling about the period of The Whites.
Flash Comics #86, DC Comics, August 1947
It’s been a while since we visited the Golden Age. It was Undervalued Spotlight #172 to be precise, not that I’m trying to plug that post or anything.
John Stables (most often signing his work Jon St. Ables) has always been amongst the most appreciated of the WECA artists and his name is consistently placed at the head of lists of those artists best representative of the excellent, professional quality of Canadian war-time comic art whenever the artistic output of the Canadian Whites is brought into question. He was inducted into the Shuster Hall of Fame in 2006 and the write up with the induction by Robert Pincombe and Peter Hansen supplies you with the necessary details of his life and career.
Young Love #104, DC Comics, June/July 1973. Happy Valentine’s Day, I hope yours is filled with Young Love! There are a lot of undervalued comics in the Romance genre but alas I’m faced with the same dilemma as our cover girl Theresa, I can only pick one.
Of all the WECA books, those produced by Maple Leaf Publishing out on the west coast of Canada are in the most demand and are the hardest to find. In this post I want to initiate the question of the number and dates of all the Maple Leaf issues… especially that murky last year—1946.
The Brave and the Bold #159, DC Comics, February 1980. I know we’re all saving up for Valentine’s Day so I thought I’d make this Spotlight another affordable one. Forgive me though because I’m still on this Ra’s Al Ghul kick.
ComicLink's January 2014 Focused Auction ended last week, with Session 4 offering original art. This was a low key offering, as ComicLink states "The Original Art offering of this auction focuses on more accessible material (check out the growing February preview for higher-end art) and includes visually exciting works by esteemed artists", basically saying the cheap stuff is this month and big ticket items will be next time around.
My last post was on the “toony” side of Vancouver’s Maple Leaf Publications and in it I stated that there were no real toons in Montreal’s Educational Projects Publishers. I now want to qualify that since I’ve been able to find three fillers that might qualify.